Jakomäkeläisillä menee hermo tyrkytysmyyjiin
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The plot and characters are functional to the show-stopping action sequences, so savage and rousing that they outdo anything that had been done in Italy until then. Right from the slow motion opening, that shows the racketeering gang wreaking havoc, destroying shop windows and setting fire to vehicles, [Enzo G.] Castellari pulls out all the stops. [...] The Big Racket [1976] is not just Castellari's best film, but also a point of no return, both for the Italian crime genre and the director himself [...] Castellari would never again reach such hights [...] —Roberto Curti, Italian Crime Filmography, 1968–1980, McFarland & Co., Inc., Pub., North Carolina, (2013), s. 160.
